SOUND OF HEAVEN - THE STORY OF BALGANDHARVA
Run time : 90mins, Marathi  (With English Subtitles)


Screenplay/Script writer :
Abhiram Bhadkamkar
Dialogues : Abhiram Bhadkamkar
Director of Photography : Mahesh Limaye
Film Editor : Prashant Khedekar
Original Music Composer, Background Score and Sound Track : Kaushal Inamdar
Lyrics, Poetry : Late Annasaheb Kirloskar, Late G.B.Deval, Late Ram Ganesh Gadkari, Late K.P. Khadilkar, Swanand Kirkire
Sound Designer (Audiography and Location Sound) :Vijay Bhope
Production Designer and Art Director : Nitin Chandrakant Desai
Costume Designer : Neeta Lulla
Singers : Shankar Mahadevan, Anand Bhate, Rahul Deshpande, Bela Shende, Arya Ambekar, Rushikesh Kamerkar, Shrirang Bhave
Makeup : Vikram Gayakwad
Re-recording: Anup Dev
Processed at : Filmlab
Line Producer/Executive Producer : Sameer Kavathekar
Cast : Subodh Bhave, Vibhavari Deshpande, Kishor Kadam, Avinash Narka, Abhijit Kelkar
 
 
SYNOPSIS:

Bal Gandharva (Sound of Heaven: The Story of Bal Gandharva) is a richly mounted, Indian musical, period film on the incredible actor-singer-female impersonator Bal Gandharva (1888-1967), set in the early years of Indian theatre. The film has historic resonances and gives remarkable insights into how today's Indian cinema and Bollywood musicals derived their song routines, lavish spectacles and melodrama from Indian musical theatre and epics—entirely independent of Hollywood. It is an inspiring portrait of Bal Gandharva, a cross-dressing, singing icon of the sangeet natak (musical theatre) tradition. Women were not allowed to perform onstage then, and Bal Gandharva's singing and female impersonations in beautiful saris, jewellery and mannerisms were all the rage, and his songs are sung in India even today. Born Narayan Shripad Rajhans, he was given the title 'Bal Gandharva' ('Little Singer from Heaven').

Bal Gandharva led a tumultuous life that saw India's struggle for independence from the British, his affair with a Muslim singer (he was Hindu) and fluctuating patronage from the maharajahs. Inevitably, as cinema became popular, women who played women's roles edged him out of the business: onstage, he was little use as a man! He grew increasingly spiritual and believed, like Shakespeare, that all the world's a stage and all the men and women merely players—that life itself was one more role to play with verve. A memorable portrait.