SOUND OF HEAVEN - THE STORY OF BALGANDHARVA Run time : 90mins, Marathi (With English Subtitles)
Screenplay/Script writer :Abhiram Bhadkamkar Dialogues : Abhiram Bhadkamkar Director of Photography : Mahesh Limaye Film Editor : Prashant Khedekar Original Music Composer, Background Score and Sound Track : Kaushal Inamdar Lyrics, Poetry : Late Annasaheb Kirloskar, Late G.B.Deval, Late Ram Ganesh Gadkari, Late K.P. Khadilkar, Swanand Kirkire Sound Designer (Audiography and Location Sound) :Vijay Bhope Production Designer and Art Director : Nitin Chandrakant Desai Costume Designer : Neeta Lulla Singers : Shankar Mahadevan, Anand Bhate, Rahul Deshpande, Bela Shende, Arya Ambekar, Rushikesh Kamerkar, Shrirang Bhave Makeup : Vikram Gayakwad Re-recording: Anup Dev Processed at : Filmlab Line Producer/Executive Producer : Sameer Kavathekar Cast : Subodh Bhave, Vibhavari Deshpande, Kishor Kadam, Avinash Narka, Abhijit Kelkar
SYNOPSIS:
Bal Gandharva (Sound of Heaven: The Story of Bal Gandharva) is a richly mounted, Indian musical, period film on the incredible actor-singer-female impersonator Bal Gandharva (1888-1967), set in the early years of Indian theatre. The film has historic resonances and gives remarkable insights into how today's Indian cinema and Bollywood musicals derived their song routines, lavish spectacles and melodrama from Indian musical theatre and epics—entirely independent of Hollywood. It is an inspiring portrait of Bal Gandharva, a cross-dressing, singing icon of the sangeet natak (musical theatre) tradition. Women were not allowed to perform onstage then, and Bal Gandharva's singing and female impersonations in beautiful saris, jewellery and mannerisms were all the rage, and his songs are sung in India even today. Born Narayan Shripad Rajhans, he was given the title 'Bal Gandharva' ('Little Singer from Heaven').
Bal Gandharva led a tumultuous life that saw India's struggle for independence from the British, his affair with a Muslim singer (he was Hindu) and fluctuating patronage from the maharajahs. Inevitably, as cinema became popular, women who played women's roles edged him out of the business: onstage, he was little use as a man! He grew increasingly spiritual and believed, like Shakespeare, that all the world's a stage and all the men and women merely players—that life itself was one more role to play with verve. A memorable portrait.